In just a couple of days Laluzapalooza will open to the public. Now in our 27th year, this is the longest running group show in town. And rather than get comfortable, we've gotten edgier. This year we've expanded the parameters to include photographic and digital art. Whether or not we make this a habit depends largely on the quality of the work in each medium. Not surprisingly, we're getting hyped by Los Angeles Magazine (click the photo at left) and the L.A. Weekly, with more print and web mentions dropping daily.
This Friday at 8 PM, come and see the best 223 pieces by 123 odd artists from six continents.
4633 Hollywood Blvd., Los Angeles, CA 90027, United States
La Luz de Jesus Gallery was established in 1986 as the brainchild of entrepreneur and art collector Billy Shire, considered largely responsible for fostering a new school of California art and prompting JUXTAPOZ Magazine to dub him "the Peggy Guggenheim of Lowbrow."
Showcasing mainly figurative, narrative paintings and unusual sculpture, the exhibitions are post-pop with content ranging from folk to outsider to religious to sexually deviant. The gallery's objective is to bring underground art and counter-culture to the masses. Past shows have been groundbreaking, launching unknown artists who have since become famous, such as Manual Ocampo, Joe Coleman, and Robert Williams. A new exhibit opens on the first Friday of each month, with an opening reception that Details Magazine calls "the biggest and best party in Los Angeles."
Gallery Director Matt Kennedy first came to work for Billy Shire in 1991, and managed the gallery until 1995. It was during his tenure at the original Melrose location of La Luz de Jesus that the Kustom Kulture movement exploded. These years are now recognized as the Golden Age of Lowbrow. Kennedy returned as Gallery Director of La Luz de Jesus in March 2009.